Tonight followed a year later, after which Bowie contributed to various film soundtracks and released the pop rock Never Let Me Down (1987). īowie reached his commercial peak with the post-disco and dance-oriented Let's Dance in 1983. Bowie then recorded " Under Pressure" with Queen and the title track for the 1982 film Cat People with Giorgio Moroder. Scary Monsters (and Super Creeps) (1980) was a culmination of his 1970s works and featured the singles " Ashes to Ashes" and " Fashion". Working with Eno and Visconti, Low featured songs influenced by electronic and ambient music, "Heroes" expanding upon Low with a more art pop sound (prominently on its well-known title track), and Lodger marking the partial return to his previous drum and guitar-based rock sound, with elements of new wave and world music present. Station to Station (1976) was the vehicle for his persona the Thin White Duke, and is commonly known as the musical transition between Young Americans and his experimental art rock Berlin Trilogy, consisting of Low (1977), "Heroes" (1977) and Lodger (1979). Young Americans (1975) showcased Bowie's interest in soul and R&B music, as well as funk (" Fame"). His songs from this era include " Suffragette City", " The Jean Genie", " Rebel Rebel" and " All the Young Dudes" (made famous by Mott the Hoople ), the last two of which are regarded as glam anthems. īetween 19, Bowie was a pioneer of the glam rock genre, as showcased on The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), which launched Bowie to stardom, Aladdin Sane and the covers album Pin Ups (both 1973), and Diamond Dogs (1974). He then released his folk rock-inspired second self-titled album in 1969, the rock The Man Who Sold the World (1970) and the art pop Hunky Dory (1971), which represented an artistic breakthrough for Bowie, containing songs such as " Changes" and " Life on Mars?". Following his baroque pop and music hall-influenced self-titled debut album in 1967, he released his first successful single " Space Oddity", which introduced the fictional astronaut Major Tom. ![]() Beginning his career under the name Davy Jones, Bowie released singles with multiple backing bands, including the King Bees and the Lower Third, all of which went generally unnoticed. Bowie worked with numerous artists throughout his career, including producers Tony Visconti, Brian Eno and singer Iggy Pop, and was the primary songwriter for most of his songs he recorded cover versions of songs by artists including the Who, the Pretty Things and the Yardbirds. Although the 1970s were the most bombastic years of his life, he consistently released albums for the next four decades.David Bowie performing on the Sound+Vision Tour in 1990ĭavid Bowie (1947–2016) was an English singer-songwriter who recorded over 400 different songs in a career which spanned six decades. Eventually, Bowie moved to Berlin to get away from it all and rediscover himself, and here he underwent a period of artistic experimentation that exemplifies his entire career. However, the second half of the decade did not treat him as well, as he was devastated by the realization that his manager had been stealing his money and struggled with severe drug addiction. Following this, Bowie became a major star in the early 1970s with his fictional rockstar-from-Mars persona Ziggy Stardust. Released to coincide with the real moon landing, the song became a hit on the radio, and the BBC even played it over their TV coverage of the actual event. ![]() His first career breakthrough was “Space Oddity,” written in 1969 as a pessimistic critique of the United States’ mission to land astronauts on the moon. Rather than being told in traditional documentary style, however, it will be guided by Bowie’s own narration and perhaps center more on his own conceptual journey.Īs might be expected from someone Rolling Stone magazine has called the “greatest rock star ever,” Bowie had a turbulent life. ![]() Siddhant Adlakha of IndieWire says that it is “more sensory experience than straightforward recounting” and that the film “is about feeling your way through a chaotic world with Ziggy Stardust as your anchor.” The film appears to examine Bowie’s entire career, which spanned six decades and twenty-six studio albums. RELATED: Netflix’s Trainwreck: Woodstock 99 is the Reigning King Of Chaos Documentaries
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